and it's getting easier all the time to get good instruction, though it is still almost totally ignored in academia.
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Some notes from the Georgetown Atelier in Seattle giving general principles.
The Block-in overview:
Learning to work from the ‘Broad to the Specific’ is a reoccurring theme and educational cornerstone of the curriculum I teach. The visual world is full of complexity. Learning to simplify that complexity in an elegant manner is a top educational priority and tall-order challenge. In other words, seeing the ‘big picture’ is much harder then seeing the minute detail. It is a natural tendency to gravitate towards the details at the expense of the broad design; to jump into rendering the eyelashes and fingernails without building the ‘archtecture’ of the figure. Take a moment to view the Bargue drawing below.
Take notice of how the block-in on the left is a simplified or ‘distilled’ version of the further developed image on the right. The block-in on the left not only establishes the proportions and anatomical structure, but also links together the shapes and forms in a designed manner. The illustration below highlights some of these design themes.
It’s important to understand the block-in as much more then ‘simple outlines’ of a drawing or painting. The block-in should contain all Proportional, Structural, Graphic and Rhythmic themes in a work. The rendering or painting process executes the Value, Form, and Color aspects. Think of your drawing or painting not in photographic terms (as a snapshot) but as a construction of a temple where the block-in functions as the foundation and scaffolding. After learning to harness these capabilities working from a single figure, the artist can expand this tool set to organize more complex multi-figure compositions. Caravaggios ‘Entombment’ is a good example of this:
The rest...
It is a lot to learn. In fact, it's a whole language and system of seeing and thinking, a set of mental skills that take only a few months to start, but years, possibly a lifetime, to grow and perfect. Enough to keep my mind occupied anyway.
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